About writing and reading

Dipping into John Walsh’s memoir about the literary scene of the 1980s and two fragments of the introduction leap out. The first is a quote from The Mikado, which rather reinforces my journalistic instinct that when the precise language used is not the most important issue, some stylistic burnishing is acceptable, so long as the meaning survives. (See my previous rant about semantic bleaching and the hack’s duty to prevent it.)

Merely corroborative detail, intended to give artistic verisimilitude to an otherwise bald and unconvincing narrative.

And then, as teenaged Walsh determines to avail himself of the books deemed to be classics (Austen, Dickens, Forster, etc) he has a moment of self-doubt, something that hangs over any consideration of the canon:

A certain specific worry nagged at me: what if I didn’t enjoy the books that the world had admired for centuries? What if I didn’t have the taste (or intelligence) to appreciate them?

To which of course we could offer Hirsch’s notion of cultural literacy and to suggest that in many ways, it’s enough to know, however approximately, what they’re about; or failing that, simply that they exist.