So anyway, things went a bit strange yesterday what with work stuff and having to miss a cookery lesson and the imposition of martial law and that kind of thing and so I started a Tumblr sort of thingy, for editors and writers to admit to their most embarrassing goofs, or to have them exposed. Feel free to contribute, because no other bugger has yet.
Showing posts with label mistakes. Show all posts
Showing posts with label mistakes. Show all posts
Wednesday, May 21, 2014
Thursday, December 11, 2008
Pointless
I'm intrigued by the story of Daniel Hoevels, the Austrian actor who slashed his own throat on stage after a real knife was substituted for a prop. Apparently, the audience applauded ecstatically at the gory effect, then stopped pretty quickly when they deduced that his commitment to art had gone just that little bit too far. As Andrew Lloyd Webber's lyricist said, "human kind / Cannot bear very much reality."
If only it had been the duel scene from Hamlet, which might have offered even greater potential for amusing blade-related misunderstandings.
If only it had been the duel scene from Hamlet, which might have offered even greater potential for amusing blade-related misunderstandings.
Friday, April 25, 2008
Is anybody there?
I've been musing over the tribulations of Kamol Kamoltrakul, the business writer who's been threatened with a massive libel suit for his criticism of Tesco's operations in Thailand. While I have every sympathy for Kamol, his article did contain one pretty horrendous error: thanks to a misreading of figures, he calculated that the Thai operation contributes 37% of Tesco's global income; he now acknowledges that the figure is more like 3.7%.
I can imagine the combination of lurching stomach and sweating palms that occurred when he realised what he'd done. I've made mistakes, although fortunately none that had such potential for financial misfortune. (I say 'potential' because Thai libel actions are a bit like those damages cases in the States, when someone called BillyBob sues a fast food company because the hot filling in his hot fruit pie was too, uh, hot; the sum that eventually gets handed over is usually a small fraction of the headline demand.)
Anyway, I've gone into print saying 'My Life Story' when I meant the Divine Comedy; attributed a quote of Schopenhauer's to Nietzsche; confused one Asian cabinet minister with another (I mean, they all look the same, don't they?). And, yes, my ankles did go a bit wobbly when I got the product back from the printers, usually on a day when I'd vowed to give up alcohol, or coffee, or pointless self-recrimination.
But you know, that's not the worst feeling. The worst feeling is a slow, creeping sensation over the next few days and weeks and months, after the error goes onto the shelves. It's when the fear of sarcastic letters to the editor, even the fear of legal action, is replaced by a total silence: the realisation that nobody's noticed; nobody cares; for all you know, nobody's read it. It's the worst thing for a writer, or for anyone who does anything for any purpose other than personal gratification. It's the knowledge that what you've created has cast no shadow, created no echo. It's as if you've thrown a stone into a perfectly flat lake, and it's made not a single ripple.
I can imagine the combination of lurching stomach and sweating palms that occurred when he realised what he'd done. I've made mistakes, although fortunately none that had such potential for financial misfortune. (I say 'potential' because Thai libel actions are a bit like those damages cases in the States, when someone called BillyBob sues a fast food company because the hot filling in his hot fruit pie was too, uh, hot; the sum that eventually gets handed over is usually a small fraction of the headline demand.)
Anyway, I've gone into print saying 'My Life Story' when I meant the Divine Comedy; attributed a quote of Schopenhauer's to Nietzsche; confused one Asian cabinet minister with another (I mean, they all look the same, don't they?). And, yes, my ankles did go a bit wobbly when I got the product back from the printers, usually on a day when I'd vowed to give up alcohol, or coffee, or pointless self-recrimination.
But you know, that's not the worst feeling. The worst feeling is a slow, creeping sensation over the next few days and weeks and months, after the error goes onto the shelves. It's when the fear of sarcastic letters to the editor, even the fear of legal action, is replaced by a total silence: the realisation that nobody's noticed; nobody cares; for all you know, nobody's read it. It's the worst thing for a writer, or for anyone who does anything for any purpose other than personal gratification. It's the knowledge that what you've created has cast no shadow, created no echo. It's as if you've thrown a stone into a perfectly flat lake, and it's made not a single ripple.
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