Showing posts with label Derrida. Show all posts
Showing posts with label Derrida. Show all posts

Thursday, June 02, 2022

Not about the Jubilee

No, I will not be indulging in bunting-related shenanigans over this inordinately extended weekend, and not just because even Radio 4 has taken to calling the whole thing “PLATTY JUBES”. Instead, here are two things that have amused me recently. First, Jacques Derrida playing cricket.


And then this, which may or may not be sincere: 

Thursday, December 13, 2018

About Foucault

Found, on the cover of a Foucault collection in the Birkbeck library, the Steven Campbell painting A Life in Letters: Idealized Portrait of the Wig’d Foucault. So idealized, in fact, (not to mention wig’d) that it looks totally unlike the polo-necked author of Discipline and Punish; if anything, more like the Daddy of Deconstruction Jacques Derrida.

What can it all mean? 

[Strokes chin.]


Friday, December 01, 2017

About Derrida

Lifted from Kevin Jackson’s Facebook. Best. Marginalia. Ever.


Tuesday, March 06, 2012

Ian Penman reclaims pretension for/from the masses


Ian Penman, interviewed by Pat Long in his new book The History of the NME; extract published at Rock’s Back Pages:
I didn’t really like punk. It promised all of this change but soon we were just going back to the same old rock‘n’roll thing, which I had no emotional investment in. I knew next to nothing about rock music history. If you’d quizzed me about the Byrds or Iggy or the Velvet Underground, I’d be lost. I knew nothing. I’d never read Lester Bangs... Compendium Books in Camden had a great section of French philosophy and I just started getting into all of these great writers. I didn't understand half of it at the time, but I remember opening a book of Jacques Derrida and it just looked amazing: all this playfulness with the layout and white space. Roland Barthes was the same. It was wonderful writing but it was laid out and played games with the reader. It was immensely pleasurable and refreshing when everyone else was trying to write like Martin Amis, which was just stale and airless and like something from 1964... The cliché that grew up at the time around me and Paul [Morley] was that we were pretentious, which I’m not ashamed of. Pretentious is just another word for aspiring to something, for trying something out. There was this idea that we were these grey long-coated Echo and the Bunnymen fans sitting in darkened rooms reading French philosophy. It wasn’t like that at all. We were having fun. Because I didn’t know about rock‘n’roll history and rock‘n’roll writing I didn’t realise that you had to write in a certain way about things. In the middle of a singles column once I started writing about Marks and Spencer’s mayonnaise, recommending this mayo instead of some single. It was supposed to be funny...