A couple of pull-outs from
Bret Easton Ellis’s interview (by Nathalie Olah) in the TLS:
It’s terrible. And it’s a terrible way to live as an artist. You see it affecting the arts on a vague, vague but vast scale – where is the taboo? Where is the Other? So what if it’s offensive? Good! Where is this bizarre idea of art created by committee, by a democracy, coming from? Art isn’t created by a democracy! And there seems to be this thing, especially on social media, of group-approved art, that’s chilling.
I wouldn’t have been the writer I am if I’d been raised in a very safe, no-bully environment with a nice mom and dad who looked after me and made sure everything was ok... I think your experiences of pain and alienation and people marginalizing you is what forces out this expressiveness. I think we’re becoming a society that wants to erase all of that. Put everyone into this safe group that is all taken care of and everyone’s the same and no one’s different and we all love each other and we’re eradicating all pain and it’s all very nice and it’s all very utopian; I just don’t think that’s who we really are and I don’t know what the end game of that is.
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