Friday, January 26, 2018

About Leonardo


If you’re going to publish a book called The Death of Expertise, bemoaning the lack of respect accorded to people who actually know stuff, maybe it’s not such a great idea, on only the second page of the preface, to refer to the man who painted the Mona Lisa as “Da Vinci”, as if that were his surname.

PS: It seems to be catching. Although it’s only the banal charlatan Jeff Koons, so, whatever.

Thursday, January 25, 2018

About content

Reminded of a comment by Marshall McLuhan while listening to Douglas Coupland’s documentary on Radio 4:
...the ‘content’ of a medium is like the juicy piece of meat carried by the burglar to distract the watchdog of the mind... 

Tuesday, January 23, 2018

About VR

Stumbling out of London Bridge, I see a poster for something to do at the bloody Shard, touting itself as “the UK’s highest Virtual Reality experience”. But surely the whole point of VR is that it transcends physical location; and if you’re aware that you’re genuinely, empirically however-many-analogue-storeys above London, rather than within the slightly emetic digital world created by the headset, then something’s not quite working.

There’s probably a metaphor here for global capitalism but I’m not sure if it’s worth pursuing.

Sunday, January 21, 2018

About Christopher Robin

When I was very young, maybe five or six, there was a family holiday to Devon. At one point we ended up in a bookshop. I was probably mooching among the Ladybirds when my father nudged me and pointed towards the back of the shop, from where a bespectacled man had appeared, muttered something to the lady at the till and then disappeared again. “That’s Christopher Robin,” whispered Dad.


And it really was. Christopher Robin Milne had opened the Harbour Bookshop in Dartmouth in 1951, barely tolerating the gawpers who still saw him as the slightly fey child of his father’s books, all of them seemingly unaware (the clue’s in the last chapter of The House at Pooh Corner, people) that childhood isn’t a lifetime deal. I was still coming to terms with the distinction between fiction and real life, a confusion that wasn’t resolved by teachers who told us Bible stories in the same tones they reserved for sums and spelling; and if I’d deduced that Christopher Robin at least had his roots in reality, I couldn’t quite cope with the idea that this, to me, phenomenally old man (he would then have been in his early/mid-50s) was the blond, leggy friend to Pooh and Eeyore and all.

That said, in retrospect, he was probably the first Famous Person I’d seen in real life, outside the frame of a TV screen. And I still reckon that’s a pretty good one to start with.

Who was yours?

Wednesday, January 17, 2018

About Banksy (not for the first time)

Bristol Museum is in hot water for selling prints of a Banksy work without the mystery stenciller’s permission. On the face of it, it’s a straightforward copyright issue; but of course Banksy made his reputation as a graffitist, a subversive, a lawbreaker, a defacer. He does things in galleries now, but derives his authenticity from his time on the streets, where copycats attract opprobrium, but not lawyers’ letters. One purchaser cancelled his order when he found the print wasn’t authorised, as if a picture of something that Banksy did (not the work itself) is only good if Banksy says it is.

Which reminds me – “authentic” and “author” and “authorised” and “authority” all come from the same root.

Thursday, January 11, 2018

About posthumanism

I’m reading Katherine Hayles’s How We Became Posthuman (which Blogger turns into “Postman”, which is nice, and sexist), and came across this on Twitter and I know it’s *meant* to be funny but I’m not really laughing, sorry.

Tuesday, January 09, 2018

About that reshuffle

Our new Culture Secretary.



About Chile

Greil Marcus, discussing the UK post-punk scene, circa 1980:
Among the many mysteries of British culture I know I will never solve is the meaning of “Chile Solidarity Disco.”