Tuesday, May 08, 2018

About a qipao


I did consider writing about the case of Keziah Daum, who wore a qipao/cheongsam to her high school prom and kicked off all manner of brouhaha about cultural appropriation and that juicy stuff, prompting everyone to adopt their instinctive battle formations in the culture wars. But, for once, I was inhibited about opining, what with me being a non-Asian, non-female, non-qipao-wearer (at least while sober) and all that. Fortunately, the excellent Anna Chen, in The Guardian, made far more sense about the whole thing than I could ever have done, pointing out that the garment itself has woven into it a whole load of other problems about gender and class before we get to whether some random gweilo is allowed to wear it and, essentially, that Asians living under the shadow of Trump have rather more pressing concerns than this.

But something still niggles. In the past I’ve made the smartarse observation that the end point of the whole cultural appropriation concept is that only Belgians will be allowed to play saxophones; only to be told that this is all about power, and it’s perfectly OK to appropriate from above. Thus, it’s wrong for Keziah to wear a qipao but it’s acceptable for her Asian classmates to wear jeans, because American culture dominates everyone and everything.

Fair enough for the here and now; but let’s think ahead a bit. This is the Asian century; forecasting history with absolute confidence is a fool’s errand but it’s a pretty good bet that by, say, 2050, China will be a hugely dominant global power, in terms of economic, military and cultural power, maybe even challenging the American hegemony. And if that’s how it turns out, will it be acceptable for Keziah’s daughter or granddaughter to wear a qipao to her prom; but not for the President of China to wear a business suit?

Monday, May 07, 2018

About Boris and Donald and Marshall

Some of the fine details of McLuhan’s ideas seem a little quaint because the specifics of technology and media have so far outstripped what he knew; for example, the declining relevance of television as a mass medium. That said, I think he would have had something to say about the fact that senior politicians can best communicate with the most powerful man in the world by appearing on his favourite TV show rather than, y’know, talking to him. Apart from the fact it’s utterly weird and depressing and terrifying, obviously.


Wednesday, April 25, 2018

About West Side Story

The singer Sierra Boggess has pulled out of a forthcoming concert performance of West Side Story, in which she was due to play Maria, because she’s not of Hispanic heritage. Since about half the cast of the show are supposed to be Puerto Rican, this could be interesting.

Meanwhile, the actor Hank Azaria has said he’s thinking of stepping aside from the role of Apu in The Simpsons, because he’s not Indian. But a little brisk Googling reveals that Mr Azaria is a Sephardi Jew who can trace his ancestry back to the Ladino-speakers who were booted out of Spain in 1492. So, since he’s to some extent Hispanic, maybe he could play Maria.

(Yikes, I just remembered, I was riffing on this theme more than a decade ago.)

Monday, April 23, 2018

About Brain of Britain

I shall be stumbling onto your airwaves (assuming you listen to BBC Radio 4) at 3pm on Monday, April 30, for a heat of the evergreen quiz show Brain of Britain. Do listen, at the time or on the blessed iPlayer.

Saturday, April 21, 2018

About Picasso, sort of

I went to the Picasso 1932 exhibition at Tate Modern yesterday and was going to write something about it but on the way there my attention was grabbed by a different kind of art; dear old, dreamy, enigmatic René Magritte, ripped off, recuperated, to sell yet more glossy, vacuous apartments.




Anyway, my righteous indignation had eased a little by the time I got to the power station, and the Picasso show was good, a tightly packed capsule of life and creativity. We saw the ebb and flow of his little obsessions and what prompted them – he was seriously into octopuses for a few months – and the sheer volume of fact was delightful, from the make of his car to the fact that Carl Gustav Jung, of all people, wrote a really vicious review. And yet it was still tantalising in the details it missed; we learned that Picasso skipped the opening of his first Paris retrospective to go to the cinema – I wanted to know what film.

And, of course, the whole thing was sponsored by a big accountancy firm. So, maybe capitalism won in the end and we just have to live with the big dull flats and the bad Magritte clones. But I wouldn’t want to break the news to this enigmatic figure, for whom it’s still, clearly, all about the pictures.


PS: From Hyperallergic, more about what happens when art and capitalism and gentrification coincide.

Thursday, April 19, 2018

About bloody Morrissey



Wednesday, April 18, 2018

About research

Academic research is mainly a matter of finding stuff that people have already written about (so you can include proper references) but got wrong (so you can justify your own pathetic existence by disagreeing with them).

Saturday, April 14, 2018

About spaghetti

I’m generally allergic to anything that hints at the “modern art is bollocks, a three-year-old could do that” flavour of philistinism but this made me giggle.