Post-Wikipedia, writers spend about nine-tenths of their piece setting out facts and received wisdom before saying anything original. Back then, we could make it all up. You didn’t know the “facts”. Didn’t really need them. I remember doing an interview with the Monochrome Set, in which I numbered them, one to six. What mattered was the words, the making up, that colouring in, which became the truth, the narrative of the music.Now, this may feed into our modish hysteria about Fake News, and also confirm the prevalent belief that Morley is nowt but a posturing pseud. But surely it’s preferable to the recent banal prattlings of another NME alumnus; or the Best of British list, so male, so white, concocted by listeners to a radio station that once had vague claims to being alternative, whatever that might mean.
Sunday, April 08, 2018
About the NME (RIP, etc)
Paul Morley, one of the old NME hands mourning their alma mater in Record Collector: